The Representation of Minorities in American Musical Theater since the 1950s

Krstičević, Klara

prikaz prve stranice dokumenta The Representation of Minorities in American Musical Theater since the 1950s

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diplomski rad

The Representation of Minorities in American Musical Theater since the 1950s

2020. urn:nbn:hr:131:689147

Krstičević, Klara

Sveučilište u Zagrebu
Filozofski fakultet
Odsjek za anglistiku

Citirajte ovaj rad

APA 6th Edition

Krstičević, K. (2020). The Representation of Minorities in American Musical Theater since the 1950s (Diplomski rad). Zagreb: Sveučilište u Zagrebu, Filozofski fakultet. Preuzeto s https://urn.nsk.hr/urn:nbn:hr:131:689147

MLA 8th Edition

Krstičević, Klara. "The Representation of Minorities in American Musical Theater since the 1950s." Diplomski rad, Sveučilište u Zagrebu, Filozofski fakultet, 2020. https://urn.nsk.hr/urn:nbn:hr:131:689147

Chicago 17th Edition

Harvard

Krstičević, K. (2020). 'The Representation of Minorities in American Musical Theater since the 1950s', Diplomski rad, Sveučilište u Zagrebu, Filozofski fakultet, citirano: 08.04.2024., https://urn.nsk.hr/urn:nbn:hr:131:689147

Vancouver

Krstičević K. The Representation of Minorities in American Musical Theater since the 1950s [Diplomski rad]. Zagreb: Sveučilište u Zagrebu, Filozofski fakultet; 2020 [pristupljeno 08.04.2024.] Dostupno na: https://urn.nsk.hr/urn:nbn:hr:131:689147

IEEE

K. Krstičević, "The Representation of Minorities in American Musical Theater since the 1950s", Diplomski rad, Sveučilište u Zagrebu, Filozofski fakultet, Zagreb, 2020. Dostupno na: https://urn.nsk.hr/urn:nbn:hr:131:689147

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Podaci o radu

Naslov	The Representation of Minorities in American Musical Theater since the 1950s
Autor	Klara Krstičević
Mentor	Jelena Šesnić (mentor)
Član povjerenstva	Sven Cvek (predsjednik povjerenstva)
Član povjerenstva	Stipe Grgas (član povjerenstva)
Ustanova koja je dodijelila akademski / stručni stupanj	Sveučilište u Zagrebu Filozofski fakultet (Odsjek za anglistiku) Zagreb
Datum i država obrane	2020-09-16, Hrvatska
Znanstveno / umjetničko područje, polje i grana	HUMANISTIČKE ZNANOSTI Interdisciplinarne humanističke znanosti
Znanstveno / umjetničko područje, polje i grana	HUMANISTIČKE ZNANOSTI Filologija Anglistika
Sažetak	This paper is a discussion about the representation of minorities, more precisely African Americans and Puerto Ricans, in American musical theatre since the 1950s. The discussion gives an introduction to representation of these groups in the American popular media, and then discusses and reviews five musicals which present different stages of inclusion of minorities on Broadway stage. Five musicals discussed are: Hello, Dolly! and its 1957 version with an all-black cast; Hamilton in which cast consisting of people of color portray white historical figures; West Side Story and In the Heights with their different portrayals of Puerto Rico immigrants; and Grease as an example of quintessentially American musical and its evolution in portraying minorities since its premiere in 1972. To discuss different portrayals of minorities in these musicals, this paper relies on scholarly papers, critics’ reviews of Broadway stage productions, reviews of the film version of the musicals, documentaries about the musicals, and other forms of popular media discussing topics relevant for this paper.
Ključne riječi
Jezik	engleski
URN:NBN	urn:nbn:hr:131:689147
Studijski program	Naziv: Anglistika(dvopredmetni studij); smjerovi: lingvistički, književno-kulturološki, prevoditeljski Smjer: književno-kulturološki Vrsta studija: sveučilišni Stupanj studija: diplomski Akademski / stručni naziv: magistar/magistra engleskog jezika i književnosti (mag. philol. angl.)
Vrsta resursa	Tekst
Način izrade datoteke	Izvorno digitalna
Prava pristupa	Otvoreni pristup
Uvjeti korištenja
Datum i vrijeme pohrane	2020-09-17 14:54:08