Konzervatorska i muzeološka analiza spomenika revolucije u opusu Vojina Bakića

master's thesis

• Title (english): Conservation and museological analysis of the monuments of the revolution in the oeuvre of Vojin Bakić
• Author: Katarina Čižić
• Mentor: Marko Špikić (mentor)
• Mentor: Helena Stublić (mentor)
• Committee member: Zlatko Jurić (predsjednik povjerenstva)
• Committee member: Marko Špikić (član povjerenstva)
• Committee member: Helena Stublić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of information and Communication sciences); Zagreb
• Defense date and country: 2022-03-09, Croatia
• Scientific / art field, discipline and subdiscipline: SOCIAL SCIENCES; Information and Communication Sciences; Museology
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art; Conservation of the Artistic Heritage

Abstract

Djela Vojina Bakića obilježavaju spomen područja te su mjesta sjećanja na stradanja u prošlosti. Međutim, njegovi su spomenici nerijetko, iako priznati kao iznimna umjetnička djela, bili prepušteni propadanju, razaranju ili jednostavnom brisanju iz ambijenata u kojima su bili ostvareni. Radom će se prikazati povijesni okvir unutar kojeg su spomenici nastali. Osim toga, pojam teške baštine predstavlja još jednu bitnu točku ovog rada te će se propitivati sama definicija pojma, ali i nastojati utvrditi može li se kao takav vezati uz navedene spomenike i rad umjetnika. Tri naizgled vrlo različita spomenika imaju jednak motiv nastanka, ali njihov je tretman u potpunosti različit. Spomenik pobjedi revolucije naroda Slavonije predstavljao je jedno od najvećih i najznačajnijih ostvarenja apstraktne i modernističke skulpture. Danas nam o spomeniku svjedoče samo fotografije i zapisi. Spomenik je uništen te je na njegovom mjestu ostala praznina i zaborav. Spomenik ustanku naroda Banije i Korduna, poznatiji kao Petrova gora, danas predstavlja nakupinu propalog materijala te je jedna od najvećih nepoznanica hrvatske povijesti i umjetnosti. Spomenik je napušten i prepušten vremenu. Spomen park Dotrščina predstavlja tek nedavno uređeno spomen područje. Iznimni napori doveli su do prepoznavanja važnosti sjećanja, ali i same umjetničke vrijednosti spomenika te rad na njegovom očuvanju i održavanju. Cilj je ovog interdisciplinarnog diplomskog rada propitati pojam teške baštine, te različito tretiranje konkretno izabranih slučajeva. Spomenik kao takav je ujedno i umjetničko djelo koje ima svoju umjetničku vrijednost. Ona se nerijetko zanemaruje te spomenik biva lišen svih umjetničkih konotacija i postaje samo politička tvorevina. Osim toga, kroz rad će se nastojati spomenike sagledati kroz muzeološku i konzervatorsku analizu kao i potaknuti daljnju i dublju raspravu vezanu za zaštitu teške baštinu i spomenika revolucije na području današnje Hrvatske.

Abstract (english)

The works of Vojin Bakić mark the memorial areas and serve as reminders of the past's sufferings. Despite being recognized as outstanding works of art, his monuments were frequently abandoned, destroyed, or simply erased from the environment in which they were created. The paper will present the historical context in which the monuments were built. Furthermore, the concept of dissonant heritage is an important aspect of this work, and the definition of the term, as well as whether it can be related to the mentioned monuments and the work of Vojin Bakić, will be questioned. Three seemingly disparate monuments were built for the same purpose, but their treatment is diametrically opposed.
The Monument to the victory of the people of Slavonia was one of the greatest and most significant achievements of abstract and modernist sculpture. The monument was demolished and emptiness and oblivion have taken their place. Monument to the uprising of the people of Kordun and Banija, better known as Petrova gora, is today a cluster of failed material and one of Croatia's greatest unknowns in history and art. The monument was abandoned and left to deteriorate over time. Dotrščina Memorial Park is a memorial complex that was recently renovated. Exceptional efforts have resulted in the recognition of the importance of memory, as well as the artistic value of the monument and efforts to preserve and maintain it. The goal of this interdisciplinary thesis is to investigate the concept of dissonant heritage and different treatments of mentioned monuments. The monument as such is also a work of art that has its own artistic value. That value is often neglected and the monument is deprived of all artistic connotations and becomes only a political creation. Finally, the paper will try to look at monuments through museological and conservational analysis as well as encourage further and deeper discussion related to the protection of dissonant heritage and monuments of revolution in Croatia.

• Keywords: teška baština; spomenik revolucije; Vojin Bakić; kulturocid; Spomenik pobjedi revolucije naroda Slavonije; Dotrščina; Petrova gora
• Keywords (english): dissonant heritage; monuments of revolution; Vojin Bakić; The Monument to the victory of the people of Slavonia; Dotrščina Memorial Park; Petrova gora
• Language: croatian
• URN:NBN: urn:nbn:hr:131:306321
• Study programme: Title: Art History; specializations in: Research, Teaching; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Study programme: Title: Information Sciences; specializations in: Museology and heritage management; Course: Museology and heritage management; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra muzeologije i upravljanja baštinom (magistar/magistra muzeologije i upravljanja baštinom)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2022-03-16 20:40:36