Koncepti identiteta i mjesta u radovima suvremenih hrvatskih umjetnica

master's thesis

• Title: Koncepti identiteta i mjesta u radovima suvremenih hrvatskih umjetnica : na primjerima filma i videa
• Title (english): The Concepts of Identity and Place in the Works of Contemporary Croatian Women Artists : On the film and video examples
• Author: Iva Brižan
• Mentor: Frano Dulibić (mentor)
• Committee member: Josipa Alviž (predsjednik povjerenstva)
• Committee member: Patricia Počanić (član povjerenstva)
• Committee member: Frano Dulibić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Defense date and country: 2023-09-28, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art

Abstract

U ovom se diplomskom istraživanju analiziraju i interpretiraju eksperimentalni filmovi Nigdina (2018.) Neli Ružić, Porvenir (2020.) Renate Poljak, Lika/Bez naslova (2020.) Ane Hušman, eksperimentalni film/video esej Dragi Aki (2021.) Nine Kurtele te sedmokanalni video Tražeći nju (2021.) Sabine Mikelić. Interdisciplinarno istraživanje povezuje feministički pristup temeljen na metodološkim principima povijesti umjetnosti s teorijskim okvirom osjetilne antropologije, kako je definira antropologinja Sarah Pink. Kulturnoantropološki koncepti identiteta i mjesta te smještajne i otjelovljene prakse umjetnica polazište su za analizu pristupa i strategija u umjetničkim radovima. Razlažu se teorijski koncepti Maurice Merleau-Pontyja o percepciji, Edwarda S. Caseya o tijelu, Thomasa J. Csordasa o paradigmi otjelovljenja, Tima Ingolda o pojedincu kao organizmu-osobi te Doreen Massey o identitetu te identitetu mjesta.
Studija Griselde Pollock o prostorima modernosti služi kao osnova za propitivanje pojmova ženskog identiteta, strukturiranja prostora u suvremenom kontekstu te svakodnevnih praksi kretanja i mobilnosti. Iznose se teorijske značajke eksperimentalnog filma, videa te video umjetnosti, kao i povijesni pregled stvaralaštva vizualnih umjetnika u hrvatskom kontekstu, relevantnih za teme identiteta i mjesta.
Petero analiziranih radova multimedijskih umjetnica tematski se podudaraju i nastaju u vremenskom rasponu od 2018. do 2021. godine. Zajedničke su im autoreferencijalnost, refleksivnost i naracija u prvom licu, pri čemu polaze od osobnog iskustva u potrazi za dijelovima vlastitog identiteta. Sve umjetnice započinju svoja umjetnička istraživanja u medijima filma i videa, polazeći od mjesta prema kojima one ili članovi njihovih obitelji osjećaju povezanost.

Abstract (english)

This masters' thesis analyzes and interprets the experimental films NOWhere (2018) by Neli Ružić, Porvenir (2020) by Renata Poljak, Lika/Untitled (2020) by Ana Hušman, the experimental film/video essay Dear Aki (2021) by Nina Kurtela, and the seven-channel video Looking for her (2021) by Sabina Mikelić. This interdisciplinary research connects a feminist approach based on the methodological principles of art history with the theoretical framework of sensory anthropology, as defined by anthropologist Sarah Pink. The concepts of cultural anthropology related to identity and place, as well as emplaced and embodied practices of women artists serve as a starting point for the analysis of approaches and strategies used in the examined works. The theoretical concepts which are being examined are that of Maurice Merleau-Ponty on perception, Edward S. Casey on body, Thomas J. Csordas on the embodiment paradigm, Tim Ingold on the individual as an organism-person, and Doreen Massey on identity and place-identity.
Griselda Pollock's study on the spaces of modernity serves as a basis for questioning the notions of female identity, the structuring of space in the contemporary context, and everyday practices of movement and mobility. The theoretical features of experimental film, video and video art are being presented, as well as the historical overview of the contributions of visual artists in the Croatian context, relevant to the themes of identity and place.
The five analyzed works of multimedia artists share common themes and were created between 2018 and 2021. They exhibit self-referentiality, reflexivity, and first-person narration, all stemming from personal experiences in search for fragments of their own identities. The artists begin their artistic research in the media of film and video, starting in places they or their family members share a sense of connection with.

• Keywords: identitet; mjesto; eksperimentalni film; video rad; video umjetnost; hrvatske umjetnice
• Keywords (english): identity; place; experimental film; video work; video art; Croatian women artists
• Language: croatian
• URN:NBN: urn:nbn:hr:131:740342
• Study programme: Title: Art History; specializations in: Research; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-10-05 00:00:02