Uloga tambura farkašica u povijesti hrvatskoga tamburaštva i njihovo obnavljanje u suvremenoj amaterskoj glazbenoj praksi

master's thesis

• Title (english): The role of the Farkaš (farkašica) tamburas in the history of Croatian tambura music and their revival in modern amateur musicianship
• Author: Siniša Cvetko
• Mentor: Grozdana Marošević (mentor)
• Committee member: Tihana Petrović Leš (predsjednik povjerenstva)
• Committee member: Marijeta Rajković Iveta (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of Ethnology and Cultural Anthropology); Zagreb
• Defense date and country: 2023-04-03, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Ethnology and Anthropology; Folklore Studies

Abstract

Cilj ovog rada je istražiti povijesnu ulogu i suvremeni revival tambura farkašica. Posebna pozornost obraća se pobudama za njihovo obnavljanje, ulozi koju u tome ima manifestacija „Farkašijada“, te mjestu koje umijeće sviranja na farkašicama ima u suvremenom hrvatskom tamburaštvu. Razmatra se teorijski model za razumijevanje glazbenih revivala Tamare Livingston, koji služi kao osnova za interpretaciju rezultata mojeg istraživanja revivala tambura farkašica. Izdvojena su tri aspekta tog modela na koje se ovaj rad fokusira; stvaranje zajednica, autentičnost i motivacija. Predstavljaju se aktivnosti obnovitelja farkašica kroz festival „Farkašijadu“ i edukacijske seminare i izložbe, razmatraju se njihovi stavovi o autentičnosti i motivaciji, te se prikazuje odnos institucija prema toj baštini i drugi načini na koje se farkašice koriste u suvremenom tamburaštvu.

Abstract (english)

The aim of this thesis is to analyze the historical role and the contemporary revival of the Farkaš (farkašica) tamburas. Special attention is given to the motives for their revival, the role played by the „Farkašijada“ festival and the place that the art of playing farkašica tamburas has in contemporary Croatian tambura music. Livingston's theoretical model for understanding the muscial revivals is considered, which serves as a basis for the interpretation of the results of my own research on the farkašica tamburas revival. Three aspects of the model are highlighted: creating communities, authenticity and motivation. The activities of the farkašica revivalists are presented through their connection with the „Farkašijada“ festival, educational seminars and exhibitions, their views on the authenticity of heritage and motivation for revival are considered, and the relationship of institutions towards this heritage and other ways in which farkašica are used in contemporary tambura musicianship are presented.

• Keywords: farkašice; tambura; glazbeni revival; tamburaštvo; festival „Farkašijada“; nematerijalna baština; autentičnost; glazbeni amaterizam; tamburaštvo
• Keywords (english): Farkaš (farkašica) tambura; music revival; „Farkašijada“ festival; intangible cultural heritage; authenticity; musical amateurism; tambura musicianship
• Language: croatian
• URN:NBN: urn:nbn:hr:131:795614
• Study programme: Title: Ethnology and Cultural Anthropology (double major); Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra etnologije i kulturne antropologije (magistar/magistra etnologije i kulturne antropologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-04-11 13:13:44