Stilsko restauriranje dvorca Trakošćan u 19. stoljeću

master's thesis

• Title (english): Stilystic restoration of Trakošćan castle in 19th century
• Author: Klara Macolić
• Mentor: Marko Špikić (mentor)
• Committee member: Zlatko Jurić (predsjednik povjerenstva)
• Committee member: Franko Ćorić (član povjerenstva)
• Committee member: Marko Špikić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Defense date and country: 2019-07-10, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art; Conservation of the Artistic Heritage

Abstract

Stilska pregradnja Trakošćana obuhvaća graditeljske aktivnosti između 1844. i 1849., te naknadne zahvate između 1862. i 1869. godine. Titularni grad Draškovića temeljito se obnavlja i nadograđuje u duhu romantičnog sjećanja, u neogotičkom stilu. Istoj estetskoj koncepciji podvrgnut je krajobraz s jezerom, što upućuje na poveznicu sa sličnim arhitektonskim i restauracijskim zahvatima, koji se polovinom 19. stoljeća izvode na srednjevuropskim burgovima. Kompleksna ličnost prvog obnovitelja Trakošćana, Jurja VI. (Georga) Draškovića, oblikovana je društveno političkim i povijesnim okvirom. Njegov snažno izražen romantičarski duh, upotpunjen bidermajerskom sviješću, odražava se pri restauraciji Trakošćana. Povezivanjem trakošćanske pregradnje, sredinom 19. stoljeća, s prvim konzervatorskim zahvatima na području Austrijskog carstva (1804. - 1867.), dokazuje se da je stilska pregradnja Trakošćana znatno više od Jurjeve romantične želje da se novoobnovljenim dvorcem zadivi svijet. Preinakama, izvedenim između 1875. i 1897. godine, mijenja se prvotni neogotički koncept interijera, a dvorac se prilagođava mondenom ukusu novih vlasnika, Ivana IX. Draškovića i njegove žene Julijane, rođene Erdödy.

Abstract (english)

The stylistic restoration of Trakošćan includes construction activities between 1844. and 1849. and subsequent works between 1862. and 1869. The titular castle of the Drašković family was thoroughly refurbished and extended in the spirit of romantic memory, in Neo-Gothic style. The park and the lake were subjected to the same aesthetic concept. This points to a link with similar architectural and restoration interventions which were carried out in the middle of the 19th century in Central European castles. The complex personality of the first restorer of Trakošćan, Juraj VI. (Georg) Drašković, was shaped by the social and political framework. Its strongly expressed romantic spirit, complemented by Bidermaier consciousness, is reflected in the restoration of Trakošćan. Linking the rebuilding of Trakošćan, in the mid-19th century, with the earliest conservation interventions, has proved that the stylistic rebuilding of Trakošćan is far more than Juraj's romantic desire to fascinate the world with the newly-restored castle. The alterations, carried out between 1875. and 1897., changed the original Neo-Gothic concept of the interior, and the castle was adapted to the fashionable taste of its new owners, Ivan IX. Drašković and his wife Julijana, born Erdödy.

• Keywords: 19. stoljeće; dvorac Laxenburg; Juraj VI. (Georg) Drašković; Michael Sebastian Riedl; obitelj Drašković; stilska pregradnja; Trakošćan
• Keywords (english): 19th century; Drašković family; Juraj VI (Georg) Drašković; Laxenburg Castle; Michael Sebastian Riedl; stylistic restoration; Trakošćan
• Language: croatian
• URN:NBN: urn:nbn:hr:131:792289
• Study programme: Title: Art History; specializations in: Research; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2019-11-07 10:58:16