Dubrovačke bratovštine slikara u 15. i 16. stoljeću

master's thesis

• Title (english): The Painters Confraternities in the City of Dubrovnik in the 15th and 16th Centuries
• Author: Pavle Bonča
• Mentor: Ana Marinković (mentor)
• Committee member: Tanja Trška (predsjednik povjerenstva)
• Committee member: Danko Šourek (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Defense date and country: 2020-09-25, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art; History and Theory of the Fine Arts, Architecture, Urbanism and Visual Communications

Abstract

Usredotočujući se na problem organizacije strukovnih i religijskih udruženja u razdoblju kasnog srednjeg i ranog novog vijeka, ovaj rad raspravlja o strukturi i funkciji bratovština slikara u Dubrovniku tijekom 15. i 16. stoljeća. Analizirajući kontekstualne uvjete i osobitosti razvoja dubrovačkog slikarstva, predstojeći tekst kritički sažima dosadašnje spoznaje o naslovnoj temi te na temelju povijesnih izvora preispituje i nadograđuje zapažanja starijih istraživača. Cilj je ovoga rada otvoriti pitanje datacije osnutka dubrovačkih bratovština slikara, djelomično rekonstruirati pravila bratovštinskih statuta, ispitati koje su obaveze lokalni i strani majstori morali ispuniti prema bratovštini, usustaviti popis poznatih gastalda dubrovačkih bratovština slikara te, naposljetku, obraditi problem eventualnog utjecaja bratovština na likovni izraz dubrovačkih gotičkih i renesansnih majstora. Očekivani ishod diplomskoga rada je pružiti pregled relevantnih arhivskih izvora u kontekstu naslovne teme te kroz komparativnu analizu povijesnih dokumenata i stručne literature ponuditi nove spoznaje o dubrovačkim udruženjima slikara tijekom 15. i 16. stoljeća.

Abstract (english)

Focusing on the problem of professional and religious associations in the late Middle and Early Modern Ages, this paper
discusses the structure and function of the painters confraternities in the city of Dubrovnik during the 15th and 16th century.
Analyzing the contextual conditions of the development of medieval painting in Dubrovnik, the forthcoming text critically
summarizes the current knowledge on the title topic and re-examines scientific researches undertaken so far. The aim of this paper is to partially reconstruct the rules of confraternal statutes, to examine which obligations local and foreign masters had to fulfill towards the confraternity, to systematize the list of known gastaldo and to examine possible influence of the confraternities on the artistic style of Gothic and Renaissance painters in the late medieval and early modern Dubrovnik. The expected outcome of the thesis is to provide an overview of relevant archival sources in the context of the title topic and to upgrade current knowledge about the social and organizational aspect of local painters through a comparative analysis of historical documents and relevant scientific literature.

• Keywords: Dubrovačko slikarstvo; bratovštine; srednji vijek; renesansa; gastald; arhivski izvori.
• Language: croatian
• URN:NBN: urn:nbn:hr:131:336414
• Study programme: Title: Art History; specializations in: Research, Teaching; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2020-10-06 09:46:25