@mastersthesis{unizd:7629, author = {{Ćumurdžić, Gabrijela}}, title = {{Black British Women in Andrea Levy's Novels}}, } @mastersthesis{unizd:7630, author = {{Špoljarić, Franka}}, title = {{Narration and Memory in Kazuo Ishiguro’s An Artist of the Floating World and The Remains of the Day}}, } @mastersthesis{unizd:7609, author = {{Petrović, Ivanela}}, title = {{'I do it exceptionally well': Death in Sylvia Plath's Poetry}}, } @mastersthesis{unizd:7648, author = {{Vučković, Martina}}, title = {{Christopher Nolan's postmodernism}}, } @mastersthesis{unizd:7616, author = {{Melvan, Laura}}, title = {{Female Protagonists Across the Centuries: Moll Flanders, Tess of the d’Urbervilles and Sarah Miles}}, } @mastersthesis{unizd:7735, author = {{Ivanov, Antonia}}, title = {{Queer Deviance in New Queer Cinema}}, } @mastersthesis{unizd:7615, author = {{Bastaja, Nika Maria}}, title = {{The Postwar World in Graham Greene's Novels}}, } @mastersthesis{unizd:7553, author = {{Vučković, Katarina}}, title = {{From Angel to Monster: Analyzing “Puerperal Insanity” in Michel Faber’s The Crimson and the White}}, } @mastersthesis{unizd:7552, author = {{Radović, Lara}}, title = {{Heathcliff – A “Hellish Villain” or a Victim of Trauma?}}, } @mastersthesis{unizd:7577, author = {{Krajina, Ana}}, title = {{Identity in TV Series 'Superstore'}}, } @mastersthesis{unizd:7587, author = {{Smolić, Paula}}, title = {{Superhero deconstruction on the example of the TV series The Boys}}, } @mastersthesis{unizd:7561, author = {{Grčić, Ivana}}, title = {{The Question of Gender in Star Wars Movies}}, } @mastersthesis{unizd:7613, author = {{Smoljo, Katarina}}, title = {{Representation of Women in Classical Hollywood: The Dumb Blonde, Femme Fatale and The Screwball Heroine}}, } @mastersthesis{unizd:7372, author = {{Lončar, Jelena}}, title = {{The Concept of “Fallen Men” in Penny Dreadful}}, } @mastersthesis{unizd:7282, author = {{Vukelić, Adrijana}}, title = {{Portrayals of Womanhood in Irish Women's Fiction}}, } @mastersthesis{unizd:7106, author = {{Kožul, Marija}}, title = {{Dangerous Beauty: The Role of Femme Fatale in Film Noir}}, } @mastersthesis{unizd:7108, author = {{Vranić, Nikolina}}, title = {{A Return to Once Upon a Time, Rewriting the Image of Traditional Womanhood in Contemporary Women's Writing}}, } @mastersthesis{unizd:7409, author = {{Pustahija, Ivona}}, title = {{Music and Sound in Walt Disney‘s Snow White and the Seven Dwarfs, Bambi and Alice in Wonderland}}, } @mastersthesis{unizd:6588, author = {{Sikirić, Vito}}, title = {{American Animated Film of the 21st Century}}, } @mastersthesis{unizd:6579, author = {{Favorova, Valentina}}, title = {{Music in the Horror Film}}, } @mastersthesis{unizd:6780, author = {{Polančec, Nino}}, title = {{New Hollywood Cinema: Historical Context and Legacy}}, } @mastersthesis{unizd:6563, author = {{Perlić, Elena}}, title = {{Portrayal of Women in Classical Hollywood Cinema: Femme Fatale, The Girl Next Door and The Hitchcock Blonde}}, } @mastersthesis{unizd:6636, author = {{Gligora, Ive}}, title = {{The Characters of Martin Scorsese and Their Motivation}}, } @mastersthesis{unizd:6592, author = {{Grabovac, Lucija}}, title = {{The Meaning of Monty Python}}, } @mastersthesis{unizd:6589, author = {{Fabijanić, Terezija}}, title = {{The Portrayal of Women in the Golden Age Hollywood}}, } @mastersthesis{unizd:7725, author = {{Narančić, Mara}}, title = {{The Question of Identity in Hanif Kureishi’s Nineties Fiction}}, } @mastersthesis{unizd:6465, author = {{Ivandić, Sara}}, title = {{Mixed-race woman as Other in Jane Eyre, Wide Sargasso Sea, and Girl, Woman, Other}}, } @phdthesis{unizd:6554, author = {{Musap, Emilia}}, title = {{Space and the Articulation of Monstrosity within Popular Culture}}, } @mastersthesis{unizd:6279, author = {{Bradarić, Josipa}}, title = {{“Look Back in Anger”: The Study of Affect}}, } @mastersthesis{unizd:6326, author = {{Bagić, Mirna}}, title = {{Religion and Faith in Brian Moore's Novels}}, } @mastersthesis{unizd:5900, author = {{Kurteš, Natalija}}, title = {{Irish Family and Homosexuality in Emma Donoghue's novels}}, } @mastersthesis{unizd:6194, author = {{Maraš, Matea}}, title = {{Historiographic Metafiction in John Fowles's “The French Lieutenant's Woman”, A.S. Byatt's “Possession” and Salman Rushdie's “Midnight's Children”}}, } @mastersthesis{unizd:6287, author = {{Jukić, Darka}}, title = {{Space in Fantasy Literature}}, } @mastersthesis{unizd:6400, author = {{Konjić, Ivan}}, title = {{Stanley Kubrick’s Moral Universe}}, } @mastersthesis{unizd:6153, author = {{Rumora, Melisa}}, title = {{The City and Multicultural Identity in Zadie Smith’s Novels}}, } @phdthesis{ffzg:5323, author = {{Medić, Igor}}, title = {{Esteticizam Oscara Wildea i književnost hrvatske moderne}}, } @mastersthesis{unizd:6118, author = {{Orolić, Patricia}}, title = {{Three waves of feminism: challenging the patriarchal society and influencing society’s view on “gender” and “queer”}}, } @mastersthesis{unizd:5490, author = {{Vukša, Sara}}, title = {{Race-ing Disney - Racial and Ethnic Stereotyping in Disney's Animated Films}}, } @mastersthesis{unizd:7989, author = {{Pijaca, Matej}}, title = {{The Vietnam War in American Cinema}}, } @mastersthesis{unizd:5556, author = {{Blašković, Mirna}}, title = {{Trauma in Contemporary Irish Writing}}, } @mastersthesis{unizd:5461, author = {{Rogina, Vana}}, title = {{Women in The Selected Novels of Kate O'Brien}}, } @mastersthesis{unizd:5435, author = {{Pelin, Lucija}}, title = {{Women’s Experience in Nuala Ní Dhomhnaill's Poetry}}, } @mastersthesis{unizd:5204, author = {{Rakić, Renata}}, title = {{The Private and the Public in Paula Meehan's Poetry}}, } @mastersthesis{unizd:5156, author = {{Peras, Silvija}}, title = {{Reflections of Feminist Ideas in Contemporary British and Irish Women’s Fiction}}, } @mastersthesis{unizd:5146, author = {{Miloš, Franko}}, title = {{Displacement of the Colonized Other in Contemporary British Novels}}, } @mastersthesis{unizd:4692, author = {{Jerković, Andrea}}, title = {{Female Sexuality in the Selected Novels of Edna O'Brien, Emma Donoghue and Emer Martin}}, } @mastersthesis{unizd:7292, author = {{Vukičević, Ante}}, title = {{Colonial discourse in Joseph Conrad's Novels}}, } @mastersthesis{unizd:4677, author = {{Mihalina, Manuela}}, title = {{Sexuality and Gender in A. Huxley's Brave New World and M. Atwood's The Handmaid's Tale}}, } @mastersthesis{unizd:4367, author = {{Šojat, Marija-Lana}}, title = {{Analysis of Female Characters in Mary Lavin's Short Stories}}, } @mastersthesis{unizd:4434, author = {{Butorac, Mateja}}, title = {{Christian Symbolism in The Chronicles of Narnia}}, } @mastersthesis{unizd:4432, author = {{Švec, Lea}}, title = {{Posthumanism in Modern Fiction Analyzing the Posthuman in Ishiguro’s Never Let Me Go, Huxley’s Brave New World, and Bradbury’s Fahrenheit 451}}, } @mastersthesis{unizd:4435, author = {{Cmrečki, Anđela}}, title = {{The Rise of Dystopian Fiction in English and Russian Literature: Aldous Huxley and Yevgeny Ivanovich Zamyatin}}, } @mastersthesis{unizd:4422, author = {{Levanić, Lucija}}, title = {{Virginia Woolf’s Feminism and Androgyny in A Room of One’s Own, Orlando and Three Guineas}}, } @mastersthesis{unizd:4682, author = {{Jerolimov, Karmen}}, title = {{Peace, Love, and Misunderstanding: Representation of Hippie Counterculture in Selected Films}}, } @mastersthesis{unizd:4882, author = {{Bota, Ante}}, title = {{Stylistic Comparison: Western and Japanese Animation}}, } @mastersthesis{unizd:4302, author = {{Micarakis, Tihana}}, title = {{The Evolution of the Female Lyric 'I' in Sylvia Plath's Poetry}}, } @mastersthesis{unizd:4313, author = {{Žurić - Kovačev, Leona}}, title = {{The Formation of Female Identity in Edna O'Brien's The Country Girls Trilogy}}, } @mastersthesis{unizd:4361, author = {{Žurić - Kovačev, Leona}}, title = {{The Formation of Female Identity in Edna O'Brien's The Country Girls Trilogy}}, } @mastersthesis{unizd:4137, author = {{Šimunović, Petra}}, title = {{Intertextuality in T. S. Eliot: Dante's La Divina Commedia in The Waste Land and The Love Song of J. Alfred Prufrock}}, } @mastersthesis{unizd:4134, author = {{Lekić, Irena}}, title = {{Jungian Archetypes in Emily Brontë's „Wuthering Heights“}}, } @mastersthesis{unizd:3389, author = {{Bagić, Mirna}}, title = {{Irish Identity in the Works of Three Irish Authors}}, } @mastersthesis{unizd:3894, author = {{Kruhoberec, Ivana}}, title = {{“Mad Shakespeare”: An Analysis of Madness in the English Renaissance and Shakespeare’s Plays}}, } @mastersthesis{unizd:3631, author = {{Lukin, Helena}}, title = {{T.S. Eliot: The Waste Land in the Context of Postwar Britain}}, } @mastersthesis{unizd:3657, author = {{Tkalčec, Katarina}}, title = {{The Analysis of the Right-Wing Skinhead with Reference to Subcultural Theories in American History X}}, } @mastersthesis{unizd:3172, author = {{Perković, Dolores}}, title = {{Stalking Narratives in American Popular Culture}}, } @mastersthesis{unizd:3320, author = {{Milas, Manuela}}, title = {{The Horror Genre as a Social Critique}}, } @mastersthesis{unizd:3177, author = {{Barjašić, Ivana}}, title = {{The Frontier Myth in the Novels of Cormac McCarthy}}, } @mastersthesis{unizd:3662, author = {{Štefek, Antonija}}, title = {{The Transformation of the Self: Analysis of the Body in Clive Barker’s Splatterpunk Fiction}}, } @mastersthesis{unizd:2919, author = {{Atelj, Ana}}, title = {{From Edna O’Brien’s The Country Girls Trilogy to Emer Martinʼs Novels: Female Subversion or Why Irish Heroines 'don’t have to be good anymore'}}, } @mastersthesis{unizd:2936, author = {{Hrkać, Barbara}}, title = {{Rewriting Jane Austen's Pride and Prejudice in Contemporary British and American Fiction}}, } @mastersthesis{unizd:2913, author = {{Franjčec, Sara}}, title = {{Censorship in Twentieth Century Irish Literature}}, } @mastersthesis{unizd:2832, author = {{Kaurin, Sarah}}, title = {{Irish Identity in the Novels of Four Contemporary Irish Writers}}, } @mastersthesis{unizd:2373, author = {{Vukić, Marija}}, title = {{Compulsive Travelers and Irish Identity in Emer Martins Novels}}, } @mastersthesis{unizd:2379, author = {{Papić, Rahela}}, title = {{Images of Death in Dylan Thomas's Poetry}}, } @mastersthesis{unizd:2372, author = {{Matas, Marko}}, title = {{The Motif of the Rose in the Poetry of William Butler Yeats}}, } @mastersthesis{unizd:2334, author = {{Brachova, Laura}}, title = {{Christianity, Music and Shakespeare}}, } @mastersthesis{unizd:2335, author = {{Lončar, Matea}}, title = {{Ethics and Religion in Graham Greene's Novels}}, } @mastersthesis{unizd:2366, author = {{Kožul, Marija}}, title = {{Heart of Darkness - A Political}}, } @mastersthesis{unizd:2938, author = {{Gotovac, Luka Antonio}}, title = {{Groundbreaking CGI in Hollywood Films}}, } @mastersthesis{unizd:2754, author = {{Šimičević, Matea}}, title = {{Lovecraftian Horrors – Space and Literature in Silent Hill}}, } @mastersthesis{unizd:2339, author = {{Konjić, Ivan}}, title = {{Wrong Men & Notorious Women in Hitchcock's Films}}, } @mastersthesis{unizd:2328, author = {{Kliček, Neven}}, title = {{Analysis of Male Protagonists in Edna O'Briens The Country Girls Trilogy}}, } @mastersthesis{unizd:2232, author = {{Cmrečak, Jura}}, title = {{Development of Animation in Disney’s Short Films and How it Affected His First Two Feature-length Films}}, } @mastersthesis{unizd:2329, author = {{Bakmaz, Antonia}}, title = {{Portrait of the Artist in the Work of Virginia Woolf}}, } @mastersthesis{unizd:2643, author = {{Žuvela, Ana}}, title = {{Representation of Women in Films: „Psycho“ (1960), „The Silence of the Lambs“ (1991), „Titanic“ (1997) and „Skyfall“ (2012)}}, } @mastersthesis{unizd:1595, author = {{Kajdiž, Ines}}, title = {{Elements of Crime Fiction in Martin McDonaghs's Play "The Pillowman"}}, } @mastersthesis{unizd:1502, author = {{Gračanin, Paula}}, title = {{Mary Lavin: The Voice of Irish Woman}}, } @mastersthesis{unizd:1516, author = {{Majčica, Ana}}, title = {{Symbols in James Joyce's Ulysses}}, } @mastersthesis{unizd:1411, author = {{Lekić, Irena}}, title = {{Gender issues in E.M. Forster's novel A Room with a View and Virginia Woolf's Orlando}}, } @mastersthesis{unizd:1418, author = {{Jurišić, Nikola}}, title = {{Gotic Elements in Cinema of Tim Burton and the Quay Brothers}}, } @mastersthesis{unizd:1352, author = {{Ćuže, Matej}}, title = {{Images of Jewish Characters in the History of English Literature}}, } @mastersthesis{unizd:2510, author = {{Volarić, Bruno}}, title = {{The Motif of the Group in Films of Howard Hawks}}, } @mastersthesis{unizd:1584, author = {{Šprljan, Šime}}, title = {{Language and Reality in David Harrower's "Knives in Hens"}}, } @mastersthesis{unizd:1413, author = {{Tomić, Leona}}, title = {{Non-Linear Narration as a Surrealist Method in the Plays of Caryl Churchill}}, } @mastersthesis{unizd:2385, author = {{Repić, Maja}}, title = {{The New Irish Woman in Emer Martin's Novels}}, } @mastersthesis{unizd:1348, author = {{Smoljo, Katarina}}, title = {{Violence and Sarah Kane: Representation of Sexual Violence in "Blasted" and "Phaedra's Love"}}, } @mastersthesis{unizd:2330, author = {{Alavanja, Tea}}, title = {{Heterotopia in the Work of David Lynch}}, } @mastersthesis{unizd:1136, author = {{Jelinić, Ivana}}, title = {{The Role of the Setting in William Shakespeare's A Midsummer Night's Dream}}, } @mastersthesis{unizd:5564, author = {{Jurjević, Ana}}, title = {{Contemporary Irish Society in Dermot Bolger’s The Journey Home and Emily’s Shoes}}, } @mastersthesis{unizd:558, author = {{Sabo, Josipa}}, title = {{Cinematic Representations of Madness}}, } @mastersthesis{unizd:448, author = {{Batur, Antonia}}, title = {{"Liquid Identity" in Alan Warner's "Morvern Callar" and "The Sopranos"}}, } @mastersthesis{unizd:470, author = {{Skrbin, Irena}}, title = {{Female Identity and Aspects of Space}}, } @mastersthesis{unizd:460, author = {{Tkalčec, Lara}}, title = {{Modernist Novel and the Idea of Progress}}, } @mastersthesis{unizd:447, author = {{Tkalčec, Katarina}}, title = {{Role of Woman in 19th Century Irish Society in Kate O'Brien's "The Ante-Room" and "Without My Cloak"}}, } @mastersthesis{unizd:469, author = {{Šimičević, Matea}}, title = {{The Representation of Woman in the Poetry of William Butler Yeats}}, } @mastersthesis{unizd:472, author = {{Gotovac, Luka Antonio}}, title = {{The Role of Water Imagery in the Modernist Novel}}, } @mastersthesis{unizd:428, author = {{Sapunarić, Nikolina}}, title = {{Images of family life in English novel}}, } @mastersthesis{unizd:504, author = {{Bolonja, Tea}}, title = {{Ideological state apparatusses in Brian Moore's The Emperor of Ice-cream and The Lonely Passion of Judith Hearne}}, } @mastersthesis{unizd:424, author = {{Žulić, Mia}}, title = {{John Osborne and the Theatre of Anger}}, } @mastersthesis{unizd:537, author = {{Topolovec, Marija}}, title = {{The Theatre of the Absurd in English and Russian Literature}}, } @mastersthesis{unizd:535, author = {{Kljajić, Filipa}}, title = {{Waiting for Godot and Existentialism}}, } @mastersthesis{unizd:362, author = {{Micarakis, Tihana}}, title = {{"Dying Is an Art": The Images of Death in Sylvia Plath's Poetry}}, } @mastersthesis{unizd:368, author = {{Vujević, Tina}}, title = {{Autobiographical elements in Ted Hughes's Birthday Letters}}, } @mastersthesis{unizd:365, author = {{Žuvela, Ana}}, title = {{Cinema of Peter Jackson}}, } @mastersthesis{unizd:363, author = {{Modrić, Marin}}, title = {{The Decline of the Irish Family in Edna O'Brien's "The Country Girls Trilogy"}}, } @mastersthesis{unizd:5034, author = {{Burčul, Anamaria}}, title = {{Representations of Contemporary Irish Diaspora in Emer Martin's More Bread or I'll Appear and Breakfast in Babylon}}, } @mastersthesis{unizd:427, author = {{Jović, Marko}}, title = {{Influences of European Art on Walt Disney's Animated Features}}, }