Zavođenje kamere

master's thesis

• Title: Zavođenje kamere : Fleabag pripovijeda vlastitu priču
• Title (english): Seducing the camera : Fleabag narrates her own story
• Author: Sara Blažeković
• Mentor: Maša Grdešić (mentor)
• Committee member: Luka Bekavac (predsjednik povjerenstva)
• Committee member: Maša Grdešić (član povjerenstva)
• Committee member: Branislav Oblučar (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of Comparative literature); Zagreb
• Defense date and country: 2022-03-18, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Art Sciences; Filmology

Abstract

Koristeći se naratološkom teorijom u ovom radu nastojala sam analizirati glavnu junakinju TV serije Fleabag u ulozi pripovjedačice, koja se obraća kameri. U prvom dijelu rada dala sam uvod, ukratko predstavivši djelovanje redateljice serije, Phoebe Waller-Bridge, koja se često bavi netipičnim ženskim likovima. Imajući na umu da se radi o dramediji, bavila sam se i pitanjem žanra, ističući termin awkwardness kao jedan od ključnih pojmova za seriju. Osjećaje awkwardnessa i cringea promatrala sam u procesu njihovog prenošenja na gledatelje, djelovanjem second-hand embarrassmenta. U drugom dijelu posvetila sam se naratološkoj analizi, a budući da je riječ o ženskoj priči i da je feminizam česta tematika koju junakinja problematizira, pripovijedanju sam pristupila i iz feminističke perspektive. Također sam se bavila idejama postfeminizma i ženstvenosti, s kojima se junakinja nerijetko poigrava. Najveći naglasak ovdje bio je na ženskoj seksualnosti i problematičnim odnosima koje ženski likovi imaju prema svom tijelu. Promatrajući nerealistične dvostruke standarde namijenjene ženama, dotaknula sam se i kulture sreće i industrije wellnessa. Cilj je bio povezati formu serije, tj. pripovijedanje u obliku to-camera naracije i sadržaj, odnosno priču.

Abstract (english)

Using the theory of narratology, I analyzed the main character of a TV series Fleabag in a role of a narrator, who addresses the camera. In the first part of the paper, I gave an introduction, briefly presenting the work of the director of the series, Phoebe Waller-Bridge, who often deals with atypical female characters. Bearing in mind that it is a dramedy, I also dealt with the issue of genre, highlighting the term awkwardness as one of the key terms for the series. I observed the feelings of awkwardness and cringe in the process of transferring them to the audience, through the effect of second-hand embarrassment. In the second part, I focused on narratological analysis. Since it is a woman's story and feminism is a frequent topic that the heroine faces, I also approached the narration from a feminist perspective. Furthermore, I dealt with the ideas of post-feminism and femininity, which the heroine often plays with. The greatest emphasis here was on female sexuality and problematic relationships that female characters have with their bodies. By observing unrealistic double standards aimed at women, I also explored the culture of happiness and the wellness industry. The goal was to connect the form of the series, i.e. storytelling in the form of to-camera narration, and the content, i.e. the story.

• Keywords: awkwardness; antiheroj; pripovjedni glas; obraćanje kameri; postfeminizam
• Keywords (english): awkwardness; antihero; narratological voice; to-camera narration; postfeminism
• Language: croatian
• URN:NBN: urn:nbn:hr:131:400571
• Study programme: Title: Comparative Literature (double major); Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra komparativne književnosti (magistar/magistra komparativne književnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-08-17 12:48:41