Junakinje i junaci u tragikomedijama Junija Palmotića

master's thesis

• Title (english): Heroines and heroes in Junije Palmotić's tragicomedies
• Author: Darija Brekalo
• Mentor: Ivana Brković (mentor)
• Committee member: Lahorka Plejić Poje (predsjednik povjerenstva)
• Committee member: Goranka Šutalo (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of Croatian language and literature); Zagreb
• Defense date and country: 2023-07-12, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Philology; Croatian Studies

Abstract

U istraživačkom je fokusu diplomskog rada analiza muških i ženskih likova u tragikomedijama Junija Palmotića iz rodne perspektive. Na početku se donosi sažeti prikaz dosadašnjih relevantnih istraživanja Palmotićevih drama, nakon čega se objašnjavaju teorijska polazišta istraživanja. Analiza počiva s jedne strane na rodnoj teoriji, a s druge na polazištima analize lika u suvremenoj teoriji drame. Pritom se u obzir pri interpretaciji Palmotićevih drama uzimaju i žanrovske konvencije dubrovačke tragikomedije. Istraživačkom hipotezom nastoji se dokazati da su protagonisti u Palmotićevim tragikomedijama oblikovani prema konvencijama žanra te ujedno i u skladu s ranonovovjekovnim patrijarhalnim svjetonazorom i s njime usklađenim rodnim ulogama. Istraživački korpus sastoji se od sedam drama, dvije drame mitološke tematike (Elena ugrabjena i Ipsipile), dvije drame nastale prema predlošcima talijanske renesansne epike (Alčina i Armida) te tri pseudopovijesne tragikomedije – Captislava, Danica i Pavlimir. U zaključku se donosi sintetski osvrt o tome što je utvrđeno analizom, upućujući na glavne tekstualne i žanrovske strategije posredovanjem kojih se u Palmotićevim tragikomedijama reproduciraju i promoviraju ideali muškosti i ženskosti karakteristični za rani novi vijek.

Abstract (english)

The research in this paper focuses on the analysis of male and female characters in the tragicomedies of Junije Palmotić from a gender perspective. At the beginning, a summary of the relevant studies of Palmotić's dramas so far is presented, after which the theoretical starting points of the research are explained. The analysis is based on gender theory on the one hand, and on the other on the starting points of character analysis in contemporary drama theory. The interpretation of Palmotić's plays also takes into account the genre conventions of Dubrovnik's tragicomedy. The research hypothesis aims to prove that the protagonists in Palmotić's tragicomedies were shaped according to genre conventions and at the same time in accordance with the early modern patriarchal worldview and its harmonized gender roles. The research interprets seven dramas, two mythological dramas (Elena ugrabjena and Ipsipile), two dramas created according to the templates of the Italian Renaissance epic (Alčina and Armida) and three pseudohistorical tragicomedies – Captislava, Danica and Pavlimir. The conclusion draws a synthetic review of what was established by the analysis, referring to the main textual and genre strategies through which Palmotić's tragicomedies reproduce and promote the ideals of masculinity and femininity characteristic of the early modern period.

• Keywords: tragikomedija; ženski lik; muški lik; rodne uloge; rani novi vijek
• Keywords (english): tragicomedy; female character; male character; gender roles; early modern period
• Language: croatian
• URN:NBN: urn:nbn:hr:131:472058
• Study programme: Title: Croatian Language and Literature; specializations in: Teaching; Course: Teaching; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra edukacije hrvatskog jezika i književnosti (magistar/magistra edukacije hrvatskog jezika i književnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-07-17 09:47:00