Sva lica Glembajevih

master's thesis

• Title: Sva lica Glembajevih : Pogled na likove u drami ''Gospoda Glembajevi'' Miroslava Krleže
• Title (english): The Glembays revisited : A look at the characters in Miroslav Krleža's "Messrs. Glembay"
• Author: Kristina Grubeša
• Mentor: Lana Molvarec (mentor)
• Committee member: Marina Protrka Štimec (predsjednik povjerenstva)
• Committee member: Ivana Drenjančević (član povjerenstva)
• Committee member: Lana Molvarec (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of Croatian language and literature); Zagreb
• Defense date and country: 2023-02-24, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Philology; Croatian Studies

Abstract

Diplomski rad SVA LICA GLEMBAJEVIH – pogled na likove u drami ''Gospoda Glembajevi'' Miroslava Krleže, podijeljen je na deset poglavlja. Prva su poglavlja posvećena analizi Krležina dramskoga stvaralaštva, a napose glembajevskoga ciklusa, iz kojega je izdvojena drama ''Gospoda Glembajevi''. U tim prvim dvama poglavljima, definiran je cilj rada, koji podrazumijeva dokazivanje postojanja proturječnosti u nutrini svih dramskih likova navedene drame. U trećemu se poglavlju pruža uvid u antinomije... More muških likova: Leonea, Ignjata, Silberbrandta, Fabriczyja, Pube i doktora Altmanna. Četvrto poglavlje, uz pogled na antinomije ženskih likova: sestre Angelike i barunice Castelli, problematizira (ne)opravdanost teze o Krležinoj mizoginosti i uzrok postojanja određenih stereotipa u oblikovanju spomenutih ženskih likova. U petome se poglavlju zaključuje kako gospoda Glembajevi ne predstavljaju iskrene dramske likove, već glumce koji samo igraju svoje uloge. Šesto poglavlje sadrži popis primarne i sekundarne literature korištene tijekom izrade rada, čiji se sažetci nalaze u sedmome i osmome poglavlju. Deveto i deseto poglavlje donose popis ključnih riječi na hrvatskome, odnosno engleskome jeziku. Less

Abstract (english)

Master's thesis THE GLEMBAYS REVISITED – A look at the characters in Miroslav Krleža's ''Messrs. Glembay'', is divided into ten chapters. The first chapters give an analysis of the whole of Krleža's dramatic opus, particularly of The Glembays cycle, from which the drama ''Messrs. Glembay'' is singled out. In these first two chapters, the aim of the literary work is defined, and that is proving the existence of contradictions in the inner being of all the characters in the drama. In the third... More chapter, insight into the antinomy of the male characters is given: that of Leone, Ignjat, Silberbrant, Fabriczy, Puba, and doctor Altmann. The fourth chapter gives insight into the antinomy of the female characters: sister Angelika and the baroness Castelli, thus exposing the thesis of Krleža's misogyny and the cause of the existence of certain stereotypes in shaping the aforementioned female characters. In the fifth chapter, the conclusion is made about Messrs. Glembay, who do not represent sincere dramatic characters, but just actors who are playing their roles. The sixth chapter contains the list of primary and secondary bibliographic sources used during the creation of the literary work. The summary of the work is in the seventh and the eighth chapter. The ninth and tenth chapters display the list of keywords in Croatian and English language. Less

• Keywords: Miroslav Krleža; ''Gospoda Glembajevi''; dramski likovi; psihoanaliza; feministička kritika
• Keywords (english): Miroslav Krleža; ''Messrs. Glembay''; dramatic characters; psychoanalysis; feminist criticism
• Language: croatian
• URN:NBN: urn:nbn:hr:131:169006
• Study programme: Title: Croatian Language and Literature; specializations in: Teaching; Course: Teaching; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra edukacije hrvatskog jezika i književnosti (magistar/magistra edukacije hrvatskog jezika i književnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-03-01 17:45:39