Položaj i percepcija književnika u romanima "Radmilović", "Osamljenici" i "Lisica"

master's thesis

• Author: Mateja Jurčević
• Mentor: Kristina Grgić (mentor)
• Committee member: Lovro Škopljanac (predsjednik povjerenstva)
• Committee member: Branislav Oblučar (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of Comparative literature); Zagreb
• Defense date and country: 2023-02-24, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Philology; Comparative Literature

Abstract

U analizi djela "Radmilović" Ksavera Šandora Gjalskog, "Osamljenici" Petra Šegedina i "Lisica" Dubravke Ugrešić opisuje se položaj i percepcija pisaca u književnom obliku koji nazivamo Künstlerroman, a čiji začetak nalazimo u Bildungsromanu nastalu u razdoblju romantizma. Uspostava lika intelektualca posljedično iznjedruje njegovu nadgradnju – lik umjetnika. Navedeni romani kontekstualizirani su u odnosu na književno razdoblje u kojemu nastaju: realizam, kasni modernizam i postmodernizam, s osvrtom na razlikovna, ali i zajednička obilježja koja se prenose iz razdoblja u razdoblje. Naglasak je stavljen na književničko poimanje vlastitih djela, njihova stvaranja, kulture i društva koje uvjetuje recepciju djela, i obratno, na doživljaj umjetnika u okolini.

Abstract (english)

Based on the analysis of three novels: "Radmilović" by Ksaver Šandor Gjalski, "Osamljenici" by Petar Šegedin and "Lisica" by Dubravka Ugrešić, the paper describes the position and perception of writers in the literary form known as Künstlerroman, which stems from the Bildungsroman, a literary genre created in the period of Romanticism. The literary character of an intellectual consequently engenders the character of an artist as its more nuanced offshoot. The above-mentioned novels are contextualized in relation to their respective literary periods: realism, late modernism and postmodernism, with reference to both distinguishing and common characteristics that are carried over between periods. Emphasis is placed on artists’ understanding of their own works, their creation, the culture and the society which conditions the reception of a work, and vice versa, on the perception of the artist in his or her environment.

• Keywords: Roman o umjetniku; lik književnika; recepcija književnog djela; Šegedin; Gjalski; Ugrešić
• Keywords (english): novel about an artist; the character of a writer; reception of a literary work; Šegedin; Gjalski; Ugrešić
• Language: croatian
• URN:NBN: urn:nbn:hr:131:860640
• Study programme: Title: Comparative Literature (double major); Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra komparativne književnosti (magistar/magistra komparativne književnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2023-02-26 22:48:17