| Abstract | Ovaj diplomski rad se fokusira na analizu strip opusa, stvaralačkih faza i umjetničkog izraza Magde Dulčić (1965. – 2016. g.), te njen autorski značaj i podstrek u okvirima razvojne perspektive nacionalnog stripa. Na tragu invencija koje unosi grupa Novi kvadrat, a u suradnji s njihovim pripadnikom, Krešimirom Zimonićem, Magda Dulčić od 1985. g. kreira mnoštvo stripova za fanzine, omladinsku štampu, dnevne novine, strip magazine i dječje časopise. Njeni radovi objavljivani su na stranicama Lucifera, Kurir, Patka, Vidika, Poleta, Večernjeg lista, Flita, Comicona, Modre laste, Arkzina, Prvog izbora i Oblutka. Svojom autentičnom poetikom izraza se izdvaja kao jedna je od prvih relevantnih autorica na strip sceni. Prepoznali su to i njeni kolege, kritičari popularne kulture i povjesničari umjetnosti, stoga je 1988. godine nagrađena za strip inovaciju na 4. Salonu jugoslavenskog stripa u Vinkovcima. Iduća etapa u karijeri je kolaboracija sa suprugom Zvonkom Todorovskim, unutar multimedijalne grupe Divlje oko, gdje plasiraju stripove namijenjene galerijskom gledanju, a u izrazu Magda Dulčić pokazuje rezolutnu nadogradnju stila. Istovremeno, ostvaruje ciklus stripova za djecu u kojima pokazuje koherentan i jasan izričaj, suptilnih intervencija i eksperimenata. U posljednjim samostalnim stripovima, autorica ostvaruje djela lirskih, intimnih i intuitivnih preokupacija. |
| Abstract (english) | This thesis focuses on the analysis of comics, creative phases and versatile artistic expression of Magda Dulčić (1965-2016), and her outstanding significance within the development of Croatian national comics. The multi-facetness of artistic interest is the main characteristic of Magda Dulčić as an artist, which makes her opus an intriguing subject for analysis. Following the inventions introduced by the group Novi kvadrat, and under the auspices of their member, Krešimir Zimonić, Magda Dulčić has been, since the early 1980's, creating many comics for fanzines, youth press, daily newspapers, comic magazines and children's magazines. Her comics can be found on the pages of Lucifer, Kurir, Patak, Vidici, Polet, Večernji list, Flit, Comicon, Modra lasta, Arkzin, Prvi izbor and Oblutak. The comics created by Magda Dulčić have an easily recognized style and characteristic formal elements. With her authentic poetics of expression, she stands out as one of the first relevant female authors on the comic art scene. Her colleagues, critics of popular culture and art historians also recognized this, so in 1988 she was awarded for comic innovation at the 4th Salon of Yugoslav Comics in Vinkovci. The next stage in her career was a collaboration with her husband, Zvonko Todorovski, within the multimedia group Divlje oko, where they created comics intended for gallery viewing. Regarding her expression, Magda Dulčić shows a more resolute change of style, thematically, visually and technically more complex. At the same time, she creates a cycle of comics for children in which she shows coherent and clear expressions, subtle interventions and experiments. In her latest independent comics, from 2010 until 2016, the author created works in which she displayed lyrical, intimate and intuitive preoccupations. |
