Semantičko polje glazbe u poljskoj, ukrajinskoj i hrvatskoj frazeologiji

master's thesis

• Title (english): Semantic field of music in Polish, Ukrainian and Croatian phraseology
• Author: Vedrana Matijević
• Mentor: Neda Pintarić (mentor)
• Mentor: Ana Dugandžić (komentor)
• Committee member: Miroslav Hrdlička (predsjednik povjerenstva)
• Committee member: Dariya Pavlešen (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of West Slavic languages and literatures); Zagreb
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of East Slavic languages and literatures); Zagreb
• Defense date and country: 2021-12-17, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Philology; Slavic Studies

Abstract

Cilj ovog rada je komparirati poljske, ukrajinske i hrvatske frazeme iz semantičkog polja glazbe, ukazati na njihove sličnosti i razlike te semantičkom analizom utvrditi njihovo podrijetlo, značenje i motiviranost odnosno pozadinsku sliku. Na temelju analizirane građe moguće je uočiti kako postoje tri skupine frazema: oni koji se i sastavnicom i značenjem odnose na glazbu, oni koji se samo sastavnicom odnose na nju te oni koji se samo značenjem odnose na koncept glazbe. Semantičkom analizom utvrđeno je da su frazemi prije svega motivirani značenjima glazbenih termina i izgledom ili funkcijom pojedinog glazbala te da je pozadinska slika najčešće povezana s povijesnim događajima, običajima i signalnom funkcijom koju su glazbala u prošlosti imala. Analiza je također pokazala da frazemi najčešče bivaju u potpunom ili djelomičnom ekvivalencijskom odnosu, međutim, postoji i manja skupina frazema kojima nije moguće pronaći ekvivalent iz glazbenog frazeološkog repertoara i oni koje nije moguće objasniti drugim frazemom, što je odraz specifičnosti svakog jezika i kulture. Podudarnosti hrvatskih, poljskih i ukrajinskih frazema, osobito kad su u pitanju europeizmi i biblizmi, proizlaze iz zajedničke pripadnosti slavenskoj jezičnoj skupini te sličnog kulturnog iskustva i tradicije. Prisutnost glazbenih motiva u frazeologiji i sličnosti u frazemima sva tri jezika važan su pokazatelj utjecaja i odraza ljudske svakodnevnice, običaja, elemenata kulture i tradicije na jezik i obratno.

Abstract (english)

This paper aims to compare Polish, Ukrainian and Croatian phraseological units from the semantic field of music, point out their similarities and differences, and use semantic analysis to determine their origin, meaning and motivation or in-depth structure. Based on the analyzed works, one can observe three types of phraseological units: those that refer to music in both their components and meaning, those that refer to music only in their components, and those that refer to music only in their meaning. Semantic analysis shows that the phraseological units are primarily motivated by musical terms, or the look or function of musical instruments, and that their in-depth structure is mostly connected to historical events, folk tradition, or the signaling function that certain instruments held in the past. Analysis also shows that the phraseological units are mostly equivalent, however, there is a small number of phraseological units that have no equivalents in the musical idioms’ repertoire, and a number of those that can't be explained using another phraseological unit, which is a reflection of the uniqueness of each language and culture. The similarities between Croatian, Polish and Ukrainian phraseological units, especially when it comes to europeisms and biblisms, stem from the fact that they belong to the same language family, as well as their shared traditions and culture. The presence of musical motives in phraseological units and the similarities between phrasemes of all of the three languages prove how daily life, tradition and culture impact and reflect on language, and vice versa.

• Keywords: semantičko polje glazbe; glazbeni instrument; frazem; frazeologija; hrvatski jezik; poljski jezik; ukrajinski jezik
• Keywords (english): semantic field of music; musical instruments; phraseological unit; phraseology; Croatian; Polish; Ukrainian
• Language: croatian
• Language: polish
• Language: ukrainian
• URN:NBN: urn:nbn:hr:131:484862
• Study programme: Title: Polish Language and Literature (double major); specializations in: Linguistics, Culture; Course: Linguistics; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra polonistike (magistar/magistra polonistike)
• Study programme: Title: Ukrainian Language and Literature (double major); specializations in: Teaching, Translation and Culture; Course: Translation and Culture; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra ukrajinistike (magistar/magistra ukrajinistike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2021-12-22 17:53:47