U potrazi za novim identitetom

master's thesis

• Title: U potrazi za novim identitetom : čunčana čipka u Križevcima
• Title (english): In search for a new identity : tatting lace in Križevci
• Author: Kristina Petrač
• Mentor: Tihana Petrović Leš (mentor)
• Committee member: Nevena Škrbić Alempijević (predsjednik povjerenstva)
• Committee member: Tihana Rubić (član povjerenstva)
• Committee member: Tihana Petrović Leš (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of Ethnology and Cultural Anthropology); Zagreb
• Defense date and country: 2019-09-27, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Ethnology and Anthropology; Ethnology

Abstract

U Hrvatskoj zadnjih dvadesetak godina raste interes za tekstilno rukotvorstvo, posebice za čipkarstvo, a revitalizacija tih umijeća nerijetko doprinosi razvijanju prepoznatljivog identiteta mjesta u kojem se izrađuje. Ovaj diplomski rad istražuje pojavu čunčane čipke u Križevcima, te njezinu ulogu u kreiranju novog identiteta grada. Istraživanje se sastojalo od intervjua s voditeljicom tečajeva čunčanja, Eminom Baričević, i direktoricom Turističke zajednice grada Križevaca, Olinkom Gjigaš, te od analize internetskih članaka lokalnog portala krizevci.info na temu čunčane čipke. Budući da se ne radi o tradicijskom umijeću grada Križevaca i okolice, već o načinu izrade čipke koji je nastao na Mediteranu, nekoliko stoljeća kasnije ušao u Križevce putem interneta, i u samo dvije godine postao suvenirom grada, zaključak odgovara izmišljenoj tradiciji Erica Hobsbawma. Polisistemska teorija je poslužila kao objašnjenje kako i zašto nastaje kulturni proizvod, te zašto izmišljena tradicija može biti sasvim legitimna.

Abstract (english)

For the last two decades Croatia has seen an increased interest in traditional crafts, specifically in lacemaking and the revitalization of those skills often results in creating recognizable identity of the place where it is being made. This thesis explores the appearance of tatting lace in Križevci and its role in creating a new identity of the city. The research consists of an interview with Emina Baričević, tatting course leader and Olinka Gjigaš, director of the Tourist Board of Križevci and features analysis of on-line articles concerning tatting lace published on the local portal krizevci.info. Given that tatting is not a traditional art of Križevci and its surroundings but rather the way of lacemaking that originated in the Mediterranean that found its way to Križevci via internet few centuries later and, in just two years, became a city souvenir, the conclusion responds to Eric Hobsbawm's invented tradition. The polysystem theory helped to explain how and why cultural products emerge and why invented tradition can be completely legit.

• Keywords: čunčana čipka; identitet; izmišljanje tradicije; Križevci
• Keywords (english): tatted lace; identity; invented tradition; Križevci
• Language: croatian
• URN:NBN: urn:nbn:hr:131:213949
• Study programme: Title: Ethnology and Cultural Anthropology (double major); Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra etnologije i kulturne antropologije (magistar/magistra etnologije i kulturne antropologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2019-10-15 12:35:20