Simboli i simbolika u pjesništvu Dore Pfanove

master's thesis

• Title (english): Symbols and symbolism in the poetry of Dora Pfanova
• Author: Tina Malenica
• Mentor: Krešimir Bagić (mentor)
• Committee member: Tatjana Pišković (predsjednik povjerenstva)
• Committee member: Gabrijela Puljić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of Croatian language and literature); Zagreb
• Defense date and country: 2025-02-28, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Philology; Croatian Studies

Abstract

Dora Pfanova napisala je dvije zbirke pjesama, Pjesme I i Pjesme II, kroz koje čitatelj susreće mnoštvo zgusnutih simbola koji kroz zbirke razvijaju svoje značenje i smisao. Razvoj te simbolike donosi analiza ovog diplomskog rada. Detaljno proučavanje dviju zbirki prikazano je u središnjem dijelu rada, gdje su odabrani simboli cvijeta, vode, grada, sna, duše i smrti te proučen njihov raspon simbolike. Sukladno svojoj simbolici, uočavamo kako se njihova simbolika i prostor lirskog nalaze u... More površinama pejzaža, sna, duše... Kroz svoj opus, Pfanova iznosi simbole ljubavi, tuge, samoće, smrti, duhovnosti, a višeznačnost tih simbola rasla je s promjenom formalnog plana njenih pjesama. Svoje pisanje započela je tradicionalnim formama vezanog stiha i soneta, da bi se pri kraju prve zbirke okušala u stvaranju pjesama slobodnog stiha i pjesama u prozi. Te se forme protežu i prevladavaju kroz drugu zbirku te ona preko njih ostvaruje svoj puni pjesnički potencijal, iskazujući svoju najskriveniju intimu i najdublja promišljanja. Interpretacija četiriju pjesama (Buket, Bašća, San, Ljeti čas iz kancelarije) zorno je prikazala spomenuti raspon i potvrdila teze koje se odnose na razvoj simbolike i izmjenu formalnih oblika pjesama. Less

Abstract (english)

Dora Pfanova wrote two poetry collections, Pjesme I and Pjesme II. This thesis explores the rich and evolving symbolism in these two poetry collections. The analysis focuses on how key symbols, including flower, water, city, dream, soul and death, develop and deepen in meaning across the two collections. In accordance with their meanings, we notice how their symbolism and the space of the lyrical subject are found in the surfaces of the landscape, dream, soul... Throughout her work,... More Pfanova presents symbols of love, sadness, loneliness, death, spirituality. The ambiguity of these symbols grew with the shift in the formal plan of her poems, ​​moving from traditional forms of rhymed verse and sonnets in her early work to the prevalence of free verse and prose poems in her second collection. This transition allowed Pfanova to fully realize her poetic potential, enabling her to express a deeper intimacy and more profound reflections. The interpretation of four chosen poems (Buket, Bašća, San, Ljeti čas iz kancelarije) provided concrete examples of this symbolic range and confirmed the thesis regarding the interplay between evolving symbolism and shifting poetic forms. Less

• Keywords: Dora Pfanova; simbol; simbolizam; poezija; lirski subjekt; metafora; personifikacija; slobodni stih; vezani stih; poezija u prozi
• Keywords (english): Dora Pfanova; symbol; symbolism; poetry; lyrical subject; metaphor; personification; free verse; rhymed verse; prose poetry
• Language: croatian
• URN:NBN: urn:nbn:hr:131:826654
• Study programme: Title: Croatian Language and Literature; specializations in: Teaching; Course: Teaching; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra edukacije hrvatskog jezika i književnosti (magistar/magistra edukacije hrvatskog jezika i književnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Embargoed access; Embargo expiration date: 2035-12-31
• Created on: 2025-03-10 10:51:07