Pojam, tipologija i uporaba krivotvorina u muzejima

master's thesis

• Title (english): Term, typology and usage of forgeries in museums
• Author: Martina Dautović
• Mentor: Žarka Vujić (mentor)
• Committee member: Željka Miklošević (predsjednik povjerenstva)
• Committee member: Goran Zlodi (član povjerenstva)
• Committee member: Žarka Vujić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of information and Communication sciences); Zagreb
• Defense date and country: 2023, Croatia
• Scientific / art field, discipline and subdiscipline: SOCIAL SCIENCES; Information and Communication Sciences; Museology

Abstract

Krivotvorine su već stoljećima problem za mnoge, od kolekcionara amatera do najpoznatijih i najcjenjenijih muzeja, a njihova pojava u muzejima često izaziva veliku pozornost javnosti i medija jer mnogi smatraju kako su krivotvorine nezamislive kao muzejski predmeti, ali je li to uistinu tako? Ovaj diplomski rad na to odgovara poglavljem koje se bavi vrijednošću krivotvorina. U prvom su dijelu tog poglavlja predstavljena neka od najpoznatijih stajališta filozofa umjetnosti o umjetničkoj i estetskoj vrijednosti krivotvorina dok drugi dio govori o vrijednosti krivotvorina u muzejima, odnosno o muzealnosti krivotvorina, njihovom edukacijskom potencijalu te o tome kako ih muzeji mogu iskoristiti u svojoj djelatnosti. U radu je ukratko predstavljen i koncept autentičnosti u muzejima, opisana je povijest krivotvorina, pomoću primjera krivotvorina koje su se našle u muzejima je dana tipologija krivotvorina prema Peteru van Menschu te su predstavljene tri metode koje se koriste u muzejima za autentifikaciju predmeta: connoisserstvo, istraživanje podrijetla i tehnička analiza.

Abstract (english)

For centuries, forgeries have been a problem for many, from amateur collectors to the most famous and respected museums, and their appearance in museums often attracts a lot of attention from the public and the media because many believe that forgeries are unimaginable as museum objects, but is this really so? This thesis responds to this with a chapter dealing with the value of forgeries. In the first part of that chapter some of the best-known views of art philosophers on the artistic and aesthetic value of forgeries are presented, while the second part talks about the value of forgeries in museums, i.e. the museality of forgeries, their educational potential and how museums can use them. The thesis also briefly presents concept of authenticity in museums, shows the history of forgeries, uses examples of forgeries found in museums to present typology of forgeries according to Peter van Mensch, and three methods used in museums for object authentication are presented: connoisseurship, provenance research and technical analysis.

• Keywords: krivotvorina; muzej; tipologija; vrijednost; muzealnost; podrijetlo
• Keywords (english): forgery; museum; typology; value; museality; provenance
• Language: croatian
• URN:NBN: urn:nbn:hr:131:366699
• Study programme: Title: Information Sciences; specializations in: Archivistics Study, Library Science, Information Sciences (research), Information Sciences (teaching), Museology and heritage management, Informatology; Course: Museology and heritage management; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra muzeologije i upravljanja baštinom (magistar/magistra muzeologije i upravljanja baštinom)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-06-16 10:50:00