Između polumjeseca i lava: poslijetridentska ikonografija u hercegovačkoj slikarskoj baštini

master's thesis

• Title (english): Between the Crescent and the Lion: Post - Tridentine Iconography in Herzegovenian Artistic Heritage
• Author: Danijela Grbavac
• Mentor: Sanja Cvetnić (mentor)
• Committee member: Danko Šourek (predsjednik povjerenstva)
• Committee member: Tanja Trška (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Defense date and country: 2023-02-27, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art

Abstract

Hercegovina je pod osmansku vlast pala 1482. godine te je ta vlast trajala sve do početka XX. stoljeća. Iako pod osmanskom vlašću, franjevci su imali slobodu prakticiranja katoličke vjere zahvaljujući sultanu Mehmedu II. i adhnami koju je 1463. godine uručio fra Anđelu Zvizdoviću. Franjevci su nastavili održavati kontakt s umjetnicima, kako lokalnim, tako i onim sa drugih područja, kao što je i Mletačka Republika s kojom je današnja Bosna i Hercegovina već bila u prijateljskim odnosima. Rad donosi najznačajnije primjere hercegovačke slikarske baštine iz baroknih stoljeća. Na temelju najznačajnijih djela, Bogorodica sa sv. Ivanom od Križa i sv. Terezijom Avilskom Cristofora Tasce i Bogorodica sa sv. Rokom i sv. Sebastijanom, franjevcem i skupinom vjernika Sebastiana Devite, koja ukazuju na pojavu pobožnosti prema Bezgrešnom Začeću, primjeri obrađeni u ovom djelu oni su marijanske ikonografije. Uvođenje tipa Bogorodice na polumjesecu ikonografska je posebnost, a samo njeno čašćenje nosi naboj tridentskog katolicizma koje je potkrijepljeno analiziranim primjerima. Osim dva već navedena, ostala djela ne posjeduju podatke o njihovom nastanku, kao ni imena samih autora.

Abstract (english)

Herzegovina fell under Ottoman rule in 1482, and that rule lasted until the beginning of the
20th century. Although they were under Ottoman rule, the Franciscans had the freedom to practice
the Catholic faith thanks to Sultan Mehmed II. and the adhnama that he awarded to friar Anđelko
Zvizdović in 1463. The Franciscans continued to maintain contact with artists, both local and those
from other areas, such as the Republic of Venice, with which today's Bosnia and Herzegovina
already had friendly relations. The thesis presents the most significant examples of Herzegovinian
painting heritage from the Baroque centuries. Based on the most significant works, The Virgin
with St. John of the Cross and St. Teresa of Avila by Cristoforo Tasca and The Virgin with St. Rok
and St. Sebastian, a Franciscan and a group of believers by Sebastiano Devita, which point out to
the appearance of devotion to the Immaculate Conception, the examples covered in this thesis are
those of Marian iconography. The introduction of the type of the Virgin on the crescent moon is
an iconographic peculiarity, and her veneration alone carries the charge of Tridentine Catholicism,
which is supported by the analyzed examples. Apart from the two already mentioned, the rest of
the artworks do not have written information about their origin, as well as the names of the authors.

• Keywords: hercegovačka slikarska baština; marijanska ikonografija; Mletačka Republika; Trident
• Keywords (english): Herzegovenian Artistic Heritage; Marian Iconography; Republic of Venice; Trent
• Language: croatian
• URN:NBN: urn:nbn:hr:131:211370
• Study programme: Title: Art History; specializations in: Research; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-03-06 12:20:02