Oprema pavlinske crkve svetih Petra i Pavla u Svetom Petru u Šumi

master's thesis

• Title (english): The furnishing of the church of St. Peter and Paul in Sveti Petar u Šumi
• Author: Dunja Vincetić
• Mentor: Danko Šourek (mentor)
• Committee member: Tanja Trška (predsjednik povjerenstva)
• Committee member: Sanja Cvetnić (član povjerenstva)
• Committee member: Danko Šourek (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Defense date and country: 2022-09-28, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art; History and Theory of the Fine Arts, Architecture, Urbanism and Visual Communications

Abstract

U uvodnome dijelu rada opisuje se kontekst pavlina i njihovih samostana u Istri u XVIII. stoljeću, iza čega se donosi pregled početaka samostana u Svetom Petru u Šumi nakon što su ga pavlini preuzeli od benediktinaca sredinom XV. stoljeća te kratak pregled povijesti arhitekture samostanskoga sklopa i crkve sv. Petra i Pavla. U idućim se poglavljima kataloški i kontekstualno obrađuje oprema crkve koju je izradio Paulus Riedl, a koja uključuje pet oltara, propovjedaonicu, ispovjedaonice, crkvene i korske klupe, kućište orgulja te kamene skulpture na pročelju crkve. Osim crkvene opreme, obrađuju se i oltarne pale spomenutih oltara koje su djela Leopolda Keckheisena. Uz opremu i slike, spominju se i sačuvane kožne tapete na zidovima prvih dvaju bočnih oltara kao jedinstven primjer kožnih zidnih obloga sačuvanih in situ, te kamena kalvarija u neposrednoj blizini crkve. Rad se zaključuje osvrtom na specifičnu pavlinsku ikonografiju, na njihove najčešće prikazivane svece i simbole, kao i osvrtom na kopiju ikone Majke Božje Čenstohovske u crkvi koja je, po predaji, početkom XVIII. stoljeća ronila suze.

Abstract (english)

The introductory part of the thesis describes the context of the Pauline Fathers and their monasteries in Istria in the 18th century, followed by an overview of the beginnings of the monastery in Sveti Petar u Šumi after the Pauline Fathers had taken it over from the Benedictines during the 15th century, and a short review of the architectural history of both the monastery and the church of St. Peter and Paul. The following chapters cover a detailed catalog and contextual description of the church furniture made by Paulus Riedl, which includes five altars, the pulpit, two confessionals, pews, two choir stalls, the organ case and the stone sculptures on the church’s west front. Aside from the church furniture, the thesis furthermore handles the altarpieces of the aforementioned altars, painted by Leopold Keckheisen. Additionally, the thesis mentions the leather wallpapers preserved in situ on the walls of two of the altars, as well as the stone cavalry in the immediate vicinity of the church. The thesis concludes with a review of the specific Pauline iconography, of the Pauline saints, their symbols, and the way they are represented, as well as a review of the copy of the icon Mother of God from Częstochowa which, according to some sources, “cried” at the beginning of the 18th century.

• Keywords: pavlini; Sveti Petar u Šumi; Istra; crkvena oprema; oltarne slike
• Keywords (english): Pauline Fathers; Sveti Petar u Šumi; Istria; church furnishing; altarpiece
• Language: croatian
• URN:NBN: urn:nbn:hr:131:449956
• Study programme: Title: Art History; specializations in: Research, Teaching; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2022-09-28 22:09:57