Sakralni motivi u kiparskom opusu Jurja Škarpe

master's thesis

• Title (english): Religious motifs in Juraj Škarpa's sculpture
• Author: Anđelina Šiljeg
• Mentor: Frano Dulibić (mentor)
• Committee member: Jasna Galjer (predsjednik povjerenstva)
• Committee member: Frano Dulibić (član povjerenstva)
• Committee member: Patricia Počanić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Defense date and country: 2019-07-10, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art; History and Theory of the Fine Arts, Architecture, Urbanism and Visual Communications

Abstract

Rad predstavlja kiparski opus Jurja Škarpe, s naglaskom na sakralne motive u njegovim djelima. Škarpa je djelovao u prvoj polovici XX. stoljeća kada se osim umjetničke, mijenja i politička scena na ovim prostorima. Najveći broj umjetnina s religioznim motivima nalazi se na grobljima, prvenstveno Mirogoju. Sakralna kiparska djela nalazila su se u opusu gotovo svakoga hrvatskog kipara, ali su bila uglavnom malobrojna u odnosu na ostatak opusa. Umjetnost u Hrvatskoj je zaostajala za zapadnom, a novoosnovane umjetničke grupe su se opredijelile za socijalnu funkciju umjetnosti. Juraj Škarpa nije bio članom umjetničkih udruženja, niti se u potpunosti priklonio jednom stilskom pravcu. Većinu njegovih djela karakterizira ekspresionistički izričaj, dok u svojim sakralnim djelima ublažavao ekspresiju lica i tijela.

Abstract (english)

The paper presents the sculptural work of Juraj Škarpa, with emphasis on religious motifs in his works. Škarpa lived and worked in the first half of the 20th century when both artistic and political scene in this area are changing. The sacral sculptures are found in the work of almost every Croatian sculptor, but most of them were focused on secular subjects. The largest number of works of art with religious motifs are found in cemeteries, primarily Mirogoj in Zagreb. Art in Croatia was lagging behind for the west, and newly established groups of artists opted for the social function of art. Juraj Škarpa was not a member of artistic associations, nor was he entirely in favor of a stylistic line. Most of his works are characterized as expressionist, while in his sacred works he softens facial and body expression.

• Keywords: ekspresionizam; Hrvatska moderna umjetnost; Juraj Škarpa; sakralni motivi; skulptura
• Keywords (english): Croatian modern art; Expressionism; Juraj Škarpa; Religious motifs; Sculpture
• Language: croatian
• URN:NBN: urn:nbn:hr:131:444959
• Study programme: Title: Art History; specializations in: Research; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2019-11-07 13:58:03