Zagrebački fotografski atelijeri kao baštinske cjeline

master's thesis

• Title: Zagrebački fotografski atelijeri kao baštinske cjeline : fenomen atelijera, izbor primjera i prijedlog muzealizacije
• Title (english): Zagreb photographic studios as cultural heritage : phenomenon, examples, and a proposal of musealisation
• Author: Marina Šafarić
• Mentor: Žarka Vujić (mentor)
• Committee member: Helena Stublić (predsjednik povjerenstva)
• Committee member: Goran Zlodi (član povjerenstva)
• Committee member: Žarka Vujić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of information and Communication sciences); Zagreb
• Defense date and country: 2021-07-13, Croatia
• Scientific / art field, discipline and subdiscipline: SOCIAL SCIENCES; Information and Communication Sciences; Museology

Abstract

Ovim se diplomskim radom dokazuje da fotografski atelijeri mogu biti nositelji muzealnosti i to zbog velikog kulturno-povijesnog, društvenog i arhitektonskog značaja. Fenomen fotografskih atelijera, odnosno potreba za novim prostorima djelovanja javlja se s pojavom fotografije kao novog medija. Karakteristični izgled arhitekture foto-atelijera proizlazi iz funkcije i potrebe za svjetlošću prilikom fotografiranja (ostakljeni zid i krovište), odnosno potrebe za potpunim odsustvom iste te svjetlosti u tamnoj komori. Zagrebački foto-atelijeri, bili oni funkcionalno građeni ili pak adaptirani, komunicirali su s javnosti na jednak način – oglašavanjem brojnim reklamnim pomagalima – a danas se o toj arhitekturi i prostorima okupljanja gotovo i ne govori. Cilj ovog rada je potaknuti na razmišljanje i uzimanje u obzir tih objekata i njihovih priča te neposredno potaknuti razvoj zaštite i komunikacije još uvijek postojećih primjera s velikim naglaskom na atelijer Rudolfa Mosingera u dvorištu Ilice br. 8. Kao usporedni materijal donose se primjeri muzealizacije iz Celja, Ljubljane i Zrenjanina.

Abstract (english)

This thesis is trying to prove that photographic studios can be the bearers of museality due to their great cultural, historical, social and architectural significance. The phenomenon of photographic studios appears with the revolutionary discovery of photography. The characteristic appearance of the photographic studios stems from the function and the need for light during the making of photogrphy (glazed wall and roof), and in other way the need for the complete absence of that same light in the darkroom. Zagreb's photographic studios, whether functionally built or adapted, communicated with the public in the same way - by advertising through numerous advertising methods - and today there is almost no talk about that important gathering places. The aim of this thesis is to encourage thinking and consideration of these objects and their stories, and to directly encourage the consideration of protection and communication of still existing examples with great emphasis on the studio of Rudolf Mosinger in the courtyard of Ilica no. 8. Examples of musealisation from Celje, Ljubljana and Zrenjanin are given as comparative material.

• Keywords: fotografski atelijeri; Zagreb; muzealnost fotografskih atelijera; zaštita; baština; Ilica 8; Rudolf Mosinger
• Keywords (english): photographic studios; Zagreb; museality of photographic studios; protection; cultural heritage; Ilica 8; Rudolf Mosinger
• Language: croatian
• URN:NBN: urn:nbn:hr:131:611295
• Study programme: Title: Information Sciences; specializations in: Museology and heritage management; Course: Museology and heritage management; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra muzeologije i upravljanja baštinom (magistar/magistra muzeologije i upravljanja baštinom)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2021-07-19 13:32:06