Autorski stil Andreja Tarkovskog

master's thesis

• Title (english): Auteur style of Andrei Tarkovsky
• Author: Lucija Dragičević
• Mentor: Krunoslav Lučić (mentor)
• Committee member: Višnja Rogošić (predsjednik povjerenstva)
• Committee member: Nikica Gilić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of Comparative literature); Zagreb
• Defense date and country: 2020-07-10, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Art Sciences; Filmology

Abstract

U ovome diplomskom radu analiziraju se autorski filmovi Andreja Tarkovskog kako bi se odredile osobitosti njegova filmskog stila. Pritom se pojmovi redatelja i autora izjednačavaju. U svrhu analize odabrana su tri filma: Ivanovo djetinjstvo, Zrcalo i Stalker, od kojih svaki pripada različitom periodu stvaralaštva Tarkovskog. Određuju se karakteristike različitih elemenata filmskog jezika, – pripovjedna struktura, kadrovi, način na koji su kadrovi povezani u cjelinu umjetničkog djela, mizanscena, glazba, šumovi i boja. Analizom se pokazuje na koji je način Tarkovski ostvario neke od postavki koje je objasnio u svojim teorijskim razmatranjima o filmu: logiku poezije, klesanje u vremenu i ritam kao središnji organizacijski element.

Abstract (english)

The aim of this master's thesis is to determine the characteristics of Andrey Tarkovsky's cinematic style. For this purpose, three of his auteur films were chosen: Ivan's Childhood, The Mirror and Stalker. Each one is a part of a different period of Tarkovsky's career as a filmmaker. The term auteur, which describes the director as the author of the movie, plays an important role. The characteristics of different elements of the cinematic language are analyzed — narrative structure, shots, the way the shots are assembled in the work of art as a whole, mise en scène, music, noises, color and so on. The analysis explains how Tarkovsky put to work some of his theoretical thoughts on filmmaking: the logic of poetry, sculpting in time and rhythm as a central organizational element.

• Keywords: autorski film; Tarkovski; redatelj; autor; Ivanovo djetinjstvo; Zrcalo; Stalker; filmski jezik; logika poezije; klesanje u vremenu; ritam
• Keywords (english): auteur film; Tarkovsky; director; auteur; Ivan's Childhood; The Mirror; Stalker; cinematic language; logic of poetry; sculpting in time; rhythm
• Language: croatian
• URN:NBN: urn:nbn:hr:131:993532
• Study programme: Title: Comparative Literature (double major); Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra komparativne književnosti (magistar/magistra komparativne književnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2020-07-13 06:28:32