Marija Bistrica – likovna baština u kontekstu poslijetridentske marijanske hodočasničke kulture

master's thesis

• Title (english): Marija Bistrica – Visual Arts in the Context of Post-Tridentine Marian Pilgrimage Culture
• Author: Lucija Dragija
• Mentor: Maja Žvorc (mentor)
• Committee member: Danko Šourek (predsjednik povjerenstva)
• Committee member: Tanja Trška (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Defense date and country: 2024-09-25, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art; History and Theory of the Fine Arts, Architecture, Urbanism and Visual Communications

Abstract

Područje Marije Bistrice smatra se poprištem različitih pretkršćanskih svetišta. Ponovnim pronalaskom čudotvornoga Gospina kipa 1684. godine, sve veći broj vjernika dolazi u Mariju Bistricu, čime se počinje razvijati hodočasnička kultura u pojačanoj pobožnosti prema Bogorodici. Rastuća proštenjarska aktivnost pokrenula je brojne arhitektonske i umjetničke promjene, odnosno barokizaciju kompleksa i filijalnih kapela. Ove i druge promjene koje generiraju specifičnu likovnu baštinu, ovaj diplomski rad smješta u kontekst poslijetridentskoga razdoblja. Tridentski sabor (1545.–1563.) poticao je čašćenje Bogorodice i zahtijevao njezino dolično prikazivanje u likovnim umjetnostima. Stoga u sljedećim dvama stoljećima, XVII. i XVIII., bistričko se svetište razvija u najposjećenije u području, dok su brojna marijanska svetišta kontinentalne Hrvatske također oživljena. Marijanska ikonografija, dodatno obogaćena, u ovome razdoblju postaje integralnim dijelom određenih proštenjarskih praksi (npr. vidljivo u vezi između tipa Bogorodice u zvonolikome plaštu i odijevanju Gospinih kipova). Zanimljivost navedene kulture su i grafičke nabožne sličice, mala umjetnička djela praktične naravi koja su se tiskala u brojnim europskim tiskarskim centrima (npr. Antwerpen, Beč, Graz), ali i u Zagrebu. Ovaj rad razmatra važnost Marije Bistrice kao hodočasničkoga središta u okviru postojećih istraživanja i ističe mogućnost daljnjih istraživanja nekih od obrađenih segmenata.

Abstract (english)

The area of Marija Bistrica is considered to be a site of various pre-Christian sanctuaries. With the rediscovery of the miraculous Madonna statue in 1684, an increasing number of believers came to Marija Bistrica, contributing to the development of the pilgrimage culture within an increased devotion to Mary. The growing pilgrim activity initiated numerous architectural and artistic changes, i.e. baroquization of the complex and mission chapels. All of these changes occurred in the context of post-Tridentine reform, which had an immediate impact on visual art and heritage. The Council of Trent (1545–1563) encouraged the veneration of Mary and supported its proper visual expression. Therefore, in the following centuries, 16th and 17th, the Bistrica shrine developed into the most visited in the area, while numerous Marian shrines in continental Croatia were also revived. Marian iconography, which was enriched in this period, became an integral part of certain pilgrim practices (e.g. noticeable in the connection between the iconographic type of the Virgin in bell-shaped mantle and the dressing of Madonna statues). An interesting aspect of the culture are graphic devotional icons, small works of art of a practical nature that were printed in numerous European printing centers (e.g. Antwerp, Vienna, Graz) and also Zagreb. The paper elaborates on the importance of Marija Bistrica as a pilgrimage center in the context of existing research and highlights the possibility of potential research in certain aspects.

• Keywords: barok; hodočasnička kultura; ikonografija; Marija Bistrica; Tridentski sabor
• Keywords (english): Baroque; pilgrimage culture; iconography; Marija Bistrica; Council of Trent
• Language: croatian
• URN:NBN: urn:nbn:hr:131:545914
• Study programme: Title: Art History; specializations in: Research, Teaching; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-09-30 13:32:00