Politike izložbenih praksi postmoderne arhitekture: primjer Venecijanskog bijenala 2000.

master's thesis

• Title (english): The Politics of Exhibition Practices of Postmodern Architecture: The Example of the 2000 Venice Biennale
• Author: Buga Klara Blanuša
• Mentor: Jasna Galjer (mentor)
• Committee member: Zlatko Jurić (predsjednik povjerenstva)
• Committee member: Luja Šimunović (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Defense date and country: 2024-09-30, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art; History and Theory of the Fine Arts, Architecture, Urbanism and Visual Communications

Abstract

Venecijanski bijenale ima dugu povijest koja seže od kraja 19. stoljeća do danas. Osnovan je kao institucija kroz koju se talijanska nacionalna umjetnost mogla razvijati, ali i kao međunarodna platforma kroz koju su se umjetnici i arhitekti mogli predstavljati, stvarati veze i raspravljati o novim tendencijama u umjetnosti i arhitekturi. Izložbe posvećene arhitekturi bile su uobičajena praksa prije Venecijanskog bijenala arhitekture, međutim upravo je Bijenale kao institucija, osnivanjem posebenog odjela posvećenog arhitekturi, podigao izložbe arhitekture na međunarodnu razinu. Već 1968. godine, u središtu studentskih prosvjeda (koji nisu bili usmjereni direktno protiv Venecijanskog bijenala, već su bili dio širih međunarodnih društvenih i političkih gibanja), prvi puta se otvara izložba posvećena arhitekturi u sklopu Venecijanskog bijenala. Međutim, poseban odjel posvećen isključivo arhitekturi predstavljen je tek 1980. godine kada je održan prvi Venecijanski bijenale arhitekture čiji je kustos Paolo Portoghesi odabrao kao temu “Prisutnost prošlosti” raskidajući tako s postavkama modernizma i okrećući arhitektonsku praksu u smjeru postmodernizma. Kroz godine održavanja Bijenala arhitekture, teme su pratile aktualne arhitektonske, ali i šire društvene pravce. Krajem 20. stoljeća dolazi do teorijskog zaokreta prema etici, odnosno razmatranja problema ljudskih prava, pravde i demokracije. Pod utjecajem kritičkih teorija poput postkolonijalne teorije, feminističke teorije i queer teorije, teorija arhitekture i arhitektonska praksa okreću se prema etičkom, društveno osviještenom i odgovornom oblikovanju privatnih i javnih prostora. Upravo je ovaj pomak, ali i rastuća svijest o globalnim ekološkim problemima te ubrzani razvitak tehnologije, utjecao na formiranje teme sedmog Venecijanskog bijenala arhitekture: Less Aesthetics More Ethics.

Abstract (english)

The Venice Biennale has a long history dating back to the end of the 19th century. It was founded as an institution through which national Italian art could develop and as an international platform where artists and architects could present themselves, create connections and discuss new trends in art and architecture. Exhibitions dedicated to architecture already existed before the Venice Architecture Biennale. Still, it was the Biennale as an institution that raised architecture exhibitions to an international level by setting up a dedicated section for architecture. As early as 1968, at the centre of the student protests (which were not directly directed against the Venice Biennale, but were part of broader international social and political movements), an exhibition dedicated to architecture was opened at the Venice Biennale for the first time. However, a separate section dedicated exclusively to architecture was not presented until 1980 at the first Architecture Biennale in Venice, whose curator Paolo Portoghesi chose the theme "The Present of the Past", thus breaking with the assumptions of modernism and steering architectural practice in the direction of postmodernism. In the years of the Architecture Biennale, the themes followed current architectural trends, but also more general social trends. At the end of the 20th century, a theoretical turn towards ethics began, centred on considerations of human rights, justice and democracy. Under the influence of critical theories such as post-colonial theory, feminist theory and queer theory, the theory and practice of architecture turned to the ethical, socially conscious and responsible design of private and public spaces. This change, as well as the growing awareness of global environmental problems and the accelerated development of technology, influenced the theme of the seventh Venice Architecture Biennale: Less Aesthetics, More Ethics.

• Keywords: arhitektura; izložbe; kustoske prakse; postmodernizam; Venecijanski bijenale arhitekture
• Keywords (english): architecture; curatorial practices; exhibitions; postmodernism; Venice Biennale of Architecture
• Language: croatian
• URN:NBN: urn:nbn:hr:131:428426
• Study programme: Title: Art History; specializations in: Research, Teaching; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-09-30 10:38:20