Petar Martinov iz Milana:

master's thesis

• Title: Petar Martinov iz Milana: : između kasne gotike i rane renesanse
• Title (english): Pietro di Martino da Milano: : Between Late Gothic and Early Renaissance
• Author: Barbara Šundov
• Mentor: Danko Šourek (mentor)
• Mentor: Predrag Marković (komentor)
• Committee member: Danko Šourek (član povjerenstva)
• Committee member: Predrag Marković (član povjerenstva)
• Committee member: Tanja Trška (predsjednik povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Defense date and country: 2024-01-30, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art

Abstract

U radu se obrađuje kiparska djelatnost Petra Martinova iz Milana od njegovih kiparskih početaka u rodnoj Lombardiji, točnije u Milanu, potom tijekom dva desetljeća duga boravka u Dubrovniku, pa sve do rada na napuljskome dvoru Alfonsa I. Aragonskog i dvora Anžuvinaca na jugu Francuske. Sam uvod u rad čini otvaranje problematike atribucije djela na dubrovačkome području u literaturi i kratka sinteza raznovrsnih zaključaka u svezi te teme. Spominju se i djela koja se pripisuju Petru Martinovu no nisu ostala sačuvana i o njima možemo saznati isključivo iz arhivskih izvora. Potom slijedi opširno poglavlje o pojedinim djelima koje Petar Martinov radi u Dubrovniku između 1431. i 1452. godine. Radi se o skulpturalnoj dekoraciji Kneževa dvora koju Petar Martinov izvodi u okviru obnove nakon požara 1435. pod vodstvom graditelja Onofrija di Giordanova della Cave. Opisuju se značajke mekog kasnogotičkog stila, ali i prodor stilskih obrazaca rane renesanse na djelima poput Eskulapova kapitela, konzole s reljefom Solomonova suda, Kneževe presude, reljefa Mudrosti i figure Sacra Mens. Opisuju se i četiri konzole trijema Kneževa dvora te skulpturalna dekoracija Male česme. Osvrće se na uvođenje motiva putta u skulpturi naše obale što se smatra začetkom renesanse. Iduće poglavlje bavi se Petrovim udjelom na Alfonsovu slavoluku na tvrđavi Castel Nuovo u Napulju. Naposljetku se spominju i Petrove medalje koje izrađuje na dvoru Anžuvinaca u Francuskoj.

Abstract (english)

The paper discusses sculptural activity of Pietro di Martino da Milano, from his sculptural beginnings in his native Lombardy, more precisely in Milan, then during his two-decade-long stay in Ragusa, all the way to his work at the Neapolitan court of Alfonso I of Aragon and the court of the Angevins in the south of France. The very introduction consists of an opening of the issue of the attribution of works in the Ragusan area in the literature and a brief synthesis of various conclusions related to that topic. Works attributed to Pietro Martino but have not been preserved are also mentioned as we can learn about them only from archival sources. Then follows an extensive chapter on individual works that Pietro Martino did in Ragusa between 1431 and 1452. It is about the sculptural decoration of the Rector's Palace, which Pietro Martino carved out as part of the reconstruction after the fire in 1435, under the leadership of an architect Onofrio di Giordano della Cava. The features of the soft late Gothic style are described, as well as the penetration of stylistic patterns of the early Renaissance in works such as the Aesculapian capital, the console with the relief of Solomon's judgment, the Rector's verdict, the relief of Wisdom and the figure of the Sacra Mens. The four consoles of the portico of the Rector's Palace and the sculptural decoration of the Small Fountain are also described. The paper also discusses the introduction of the putta motif in the sculpture of our coast, which is considered the beginning of the Renaissance. The next chapter deals with Pietro's part in Alfonso's triumphal arch at Castel Nuovo in Naples. Finally, Peter's medals, which he made at the court of the Angevins in France, are also mentioned.

• Keywords: Petar Martinov iz Milana; kasna gotika; rana renesansa; Knežev dvor; skulpturalna dekoracija; Napulj
• Keywords (english): Pietro Martino da Milano; late Gothic; early Renaissance; Rector’s Palace; sculptural decoration; Naples
• Language: croatian
• URN:NBN: urn:nbn:hr:131:923998
• Study programme: Title: Art History; specializations in: Research, Teaching; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-02-20 17:01:37