Hrvatska likovna kritika u kontekstu jugoslavenske sekcije Međunarodnog udruženja likovnih kritičara u pedesetim godinama 20. stoljeća

master's thesis

• Title (english): Croatian art critics in the context of the Yugoslav section of the International Association of Art Critics in the 1950s
• Author: Martina Bobinac
• Mentor: Jasna Galjer (mentor)
• Committee member: Frano Dulibić (predsjednik povjerenstva)
• Committee member: Jasna Galjer (član povjerenstva)
• Committee member: Patricia Počanić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Humanities and Social Sciences; (Department of History of Art); Zagreb
• Defense date and country: 2021-05-14, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; History of Art; History and Theory of the Fine Arts, Architecture, Urbanism and Visual Communications

Abstract

Cilj ovoga diplomskog rada je prikaz povijesnog konteksta vremena 1950ih godina, vremena u kojem je nastalo Međunarodno udruženje likovnih kritičara, a potom i njegova jugoslavenska podružnica, pri čemu će naglasak stajati na njegovim hrvatskim članovima. Nadalje, cilj je prikazati i način kojim su se odnosi, odluke i politike Udruženja preslikavali na svjetsku političku i kulturnu situaciju i obrnuto. Usto, predočit će se i istaknuta uloga koju je u 1950im godinama u Međunarodnom udruženju likovnih kritičara imala jugoslavenska sekcija te način kojim je njezinim posredovanjem ono dobivalo informacije o lokalnoj umjetničkoj sceni. Pomoću arhivskih podataka o korespondenciji između članova AICA-e, izvještaja s godišnjih sastanaka, popisa članova po godinama te nekoliko dokumenata vezanih uz ključna izlaganja jugoslavenskih članova, prikupljenih za vrijeme studijskog boravka u Arhivima likovne kritike u Rennesu, u radu se nastoji rekonstruirati značenje i uloga svjetske i hrvatske (tada jugoslavenske) likovne kritike u razdoblju obilježenom netom okončanim Drugim svjetskim ratom i ranom fazom hladnog rata.

Abstract (english)

The aim of this thesis is to present the context of the 1950s and the global situation in which the International Association of Art Critics, as well as its Yugoslav branch with an emphasis on Croatian members, was formed, and the ways in which the relations, decisions, and policies of the Association were reflected in world politics and the cultural situation and vice versa. Furthermore, the aim is to present the prominent role performed by the Yugoslav section in the International Association of Art Critics in the 1950s, as well as the way in which it refreshed the local art scene. Using archival data, translated from French and mainly based on correspondence between AICA members, reports from annual meetings, lists of members by year, and several documents related to key presentations by Yugoslav members, collected during a study visit to the Archives of Art Criticism in Rennes, the paper seeks to reconstruct the meaning and role of international and Croatian (then Yugoslav) art criticism in the period marked by the recent end of the Second World War and the early phase of the Cold War.

• Keywords: AICA; Jugoslavija; kulturna politika; likovna kritika; Međunarodno udruženje likovnih kritičara; 1950e
• Keywords (english): AICA; Yugoslavia; cultural policy; art criticism; International Association of Art Critics; 1950s
• Language: croatian
• URN:NBN: urn:nbn:hr:131:369302
• Study programme: Title: Art History; specializations in: Research; Course: Research; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra povijesti umjetnosti (magistar/magistra povijesti umjetnosti)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2021-05-17 20:34:45